Tirone Jos Gonzlez Orama Carlos Molnar : “Third Suspect Emerges in Canserbero’s Death Investigation: Music Royalties Under Scrutiny”

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Third Suspect Identified in Canserbero’s Death Investigation: Music Royalties Under Scrutiny

The investigation into the tragic death of Venezuelan rapper, Tirone Jos Gonzlez Orama, famously known as Canserbero, has taken a significant turn with the emergence of a third suspect. Venezuela’s Attorney General, Tarek William Saab, revealed this crucial information during a recent interview with Televen. This latest development adds another layer to the ongoing investigation, which already involves Natalia Amstica and her brother, Guillermo Amstica, who are currently under house arrest for charges related to false attestation and obstruction of justice.

Unveiling the Mystery

As the investigation progresses into the untimely deaths of Canserbero and his friend Carlos Molnar, new details have surfaced, shedding light on the circumstances surrounding the incident. Autopsy reports indicate that Canserbero sustained injuries consistent with a fall from a significant height. However, the question of whether mechanical force was involved remains unanswered. In the wake of this tragedy, Canserbero’s grave has transformed into a sacred space for his devoted followers, who pay homage by leaving flowers and mementos that commemorate his musical legacy.

Controversy Surrounding Music Royalties

During the interview, the Attorney General also revealed an ongoing investigation into Canserbero’s music royalties. Shockingly, it has come to light that someone other than his father, the rightful heir to his intellectual property, has been receiving these royalties. Leandro Aez, widely known as KPU in the music industry, has been identified as the individual exerting control over Canserbero’s music catalogue and profiting from his productions since 2013, despite lacking a valid work relationship with the late artist.

Questioning Previous Investigation

In addition to the latest revelations, the Attorney General’s office has raised concerns regarding the previous investigation conducted by the Public Ministry in 2015. The office has criticized the investigation as being “pirate” and “mediocre,” casting doubt on the accuracy and thoroughness of its findings. Moreover, the forensic diagnosis has also come under scrutiny, fueling suspicions about who is truly entitled to collect Canserbero’s royalties.

In a recent interview with Televen, Venezuela’s Attorney General, Tarek William Saab, disclosed that a third suspect has emerged in the investigation into the death of Venezuelan rapper Tirone Jos Gonzlez Orama, popularly known as Canserbero. This revelation adds to the existing list of suspects, Natalia Amstica and her brother Guillermo Amstica, who are already under house arrest for charges related to false attestation and obstruction of justice.

As the investigation deepens, new details have come to light regarding the circumstances surrounding Canserbero’s death and the injuries found on his body. Autopsy reports suggest that the injuries are consistent with a fall from a significant height, but the question of whether there was any mechanical force involved remains unanswered. In the wake of this tragedy, Canserbero’s grave has become a place of pilgrimage for his fans, who pay tribute by leaving flowers and mementos to honor his musical legacy.

The Attorney General’s disclosure did not stop at the identification of the third suspect. He also revealed an ongoing investigation into Canserbero’s music royalties, raising concerns about the person currently receiving them. It has been discovered that Leandro Aez, also known as KPU in the music world, has been controlling Canserbero’s music catalog and profiting from his productions since 2013, despite lacking a valid work relationship with the late artist. This revelation has sparked controversy and calls into question who should rightfully be entitled to the royalties.

Furthermore, the Attorney General’s office has expressed doubts about the previous investigation conducted by the Public Ministry in 2015, describing it as “pirate” and “mediocre.” The accuracy and reliability of the forensic diagnosis have also been called into question, further muddying the waters surrounding the collection of Canserbero’s royalties.

As the investigation continues, the search for justice and the truth behind Canserbero’s tragic death remains ongoing. The emergence of a third suspect and the controversy surrounding the music royalties add new layers of complexity to this already complex case. The fans and followers of Canserbero eagerly await further developments in the pursuit of justice for their beloved artist.

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